A few weeks ago, I took delivery of my new custom made Hahn Signet amplifier. What a gem! Hand made in Galva and Texas, this low wattage tube-powered beauty is a real throwback. Simple volume, gain and tone controls give a surprisingly wide range of sound options.
I’m playing my Phillips archtop through it and it’s the sound that amazes me… clear, crisp and with just the right amount of fuzzy edge to deliver that vintage blues sound I’m alays looking for but rarely find.
In the past, I used a Voodoo Sparkle Drive pedal to get the sound right, but this amp delivers just what I want straight up, and I love not having any other electronics in the way between the guitar and amp.
The quality of the custom craftsmanship is amazing… from the custom cabinet (finished to match my Yamaha piano) to the tube amp chassis, everything is neat as a pin, professionally done and done with flair and an eye to lasting quality.
I rarely get on bandwagons, but I’m certainly on the Hahn Amplifier band wagon… if you are looking for a wonderful small tube amp with amazing sound, be sure to check them out! You can even head to the image gallery and see me playing through my new amp at an open mic at Budde’s… check it out here.
Voodoo Child (Slight Return)
Jimi Hendrix Experience
Electric Ladyland, 1968
This is the grand-daddy of all wah-wah songs and the Platonic Form of electric guitar for many an aspiring players. Flat out, this may be the best electric guitar song ever put on vinyl. Gifted guitarist Joe Satriani sums it up this way: “It’s just the greatest piece of electric guitar work ever recorded. In fact, the whole song could be considered the holy grail of guitar expression and technique. It is a beacon of humanity.”
Victims of the Fury, 1980
No one has mastered the depth and breadth of electric guitar sounds like British rocker Robin Trower. Easily one of the greatest Stratocaster players in history, Trower flows from the ethereal to the raw in his guitar work. Victims of the Fury is a masterful album, and The Ring is unequaled raw, wah-powered brilliance–the guitar line is so aggressive, it’ll peel paint.
Soul to Soul
Stevie Ray Vaughan and Double Trouble
Soul to Soul, 1985
Stevie was perhaps the best technical guitar player ever. Not as creatively brilliant as Hendrix, but easily his master in technique. In Soul to Soul, he delivers a romping, wah-infused instrumental that’s both as catchy as it is edgy. It’ll make your eyes water at the same time you’re tapping your foot. The ease and accuracy of his playing, coupled with the rich tone, is simply unbelievable.